Sigiriya

Sigiriya is an archeological site in Central Sri Lanka. It contains the ruins of an ancient palace complex, built during the reign of King Kasyapa (477 – 495 AD). It is one of the seven World Heritage Sites in Sri Lanka and is one of its most popular tourist destinations.

Setting

Sigiriya rock is the hardened magma plug from an extinct and long-eroded volcano. It stands high above the surrounding plain, visible for miles in all directions. The rock rests on a steep mound that rises abruptly from the flat plain surrounding it. The rock itself rises 370m and is sheer on all sides, in many places overhanging the base. It is elliptical in plan and has a flat top that slopes gradually along the long axis of the ellipse.

Archeological remains

Sigiriya consists of an ancient castle built by King Kasyapa during the 5th century AD. The Sigiriya site has the remains of an upper palace sited on the flat top of the rock, a mid-level terrace that includes the Lion Gate and the mirror wall with its frescoes, the lower palace that clings to the slopes below the rock, and the moats, walls and gardens that extend for some hundreds of metres out from the base of the rock.

Aerial View

The site is both a palace and fortress. Sufficient remains to provide the visitor with a stunning insight into the ingenuity and creativity of its builders.
The upper palace on the top of the rock includes cisterns cut into the rock that still retain water. The moats and walls that surround the lower palace are still exquisitely beautiful.

History

Sigiriya may have been inhabited through prehistoric times. It was used as a rock-shelter mountain monastery from about the 3rd century BC, with caves prepared and donated by devotees to the Buddhist Sangha. The garden and palace were built by Kasyapa. Following Kasyapa's death, it was again a monastery complex up to about the 14th century, after which it was abandoned. The ruins were discovered in 1907 by British explorer John Still. The Sigiri inscriptions were deciphered by the archeologist Paranavithana who published a renowned two volume work, published by Oxford, known as "Sigiri Graffiti". He also wrote the popular book "Story of Sigiriya".

Legends of the site's origins

The Mahavansa, the ancient historical record of Sri Lanka, describes King Kasyapa as the son of King Dhatusena. Kasyapa murdered his father by walling him alive and then usurping the throne which rightfully belonged to his brother Mogallana, Dhatusena's son by the true queen. Mogallana fled to India to escape being assassinated by Kasyapa but vowed revenge. In India he raised an army with the intention of returning and retaking the throne of Sri Lanka which was rightfully his. Knowing the inevitable return of Mogallana, Kasyapa is said to have built his palace on the summit of Sigiriya as a fortress and pleasure palace. Mogallana finally arrived and declared war. During the battle Kasyapa's armies abandoned him and he committed suicide by falling on his sword. Chronicles and lore say that the battle-elephant on which Kasyapa was mounted changed the course just to get to a better fighting position/place but the army misinterpreted it as the King fleeing. Thereafter the army abandoned the king altogether. Moggallana returned the capital to Anuradapura and turned Sigiriya into a monastery complex.
Alternative stories have the primary builder of Sigiriya as King Dhatusena, with Kasyapa finishing the work in honour of his father. Still other stories have Kasyapa as a playboy king, with Sigiriya a pleasure palace. Even Kasyapa's eventual fate is mutable. In some versions he is assassinated by poison administered by a concubine. In others he cuts his own throat when isolated in his final battle.
Still further interpretations have the site as the work of a Buddhist community, with no military function at all. This site may have been important in the competition between the Mahayana and Theravada Buddhist traditions in ancient Sri Lanka.

The City and the Palace

Sigiriya is considered as one of the most important sites of urban planning of the first millennium, the site plan is considered very elaborate and imaginative. The planning had combined concepts of symmetry and asymmetry to intentionally interlock the geometrical plan and the natural form of the surroundings. The west side of the rock lies a park for the royals which is symmetrically planned, the park contains water retaining structures which includeds sophisticated sub/surface hydraulic systems of which some are working even today. The south contains a man made reservoir, these were extensively used from previous capital of the dry zone of Sri Lanka. Five gates were places as entrances the more elaborate western gate is thought to be reserved for the royals.

The Gardens

The landscape of the Sigiriya city is considered to one of the most important aspects of the site, the gardens are one of the oldest landsacaped gardens of the world. Gardens take three distinct but linked forms they are Water, Cave and boulder gardens. The water gardens are the more sophisticated in design and can be seen in the western precinct. The water gardens contained pools of various depths with streams flowing over slabs of marble. Underground hydraulic systems provide water into the fountains which even operate today. Other water gardens found combines pavilions with water courses which were used to cool the pavilions. Boulder gardens had a different design concept to the water gardens, the gardens included pathways, pavilions etc.

The Mirror Wall

Originally this wall was so well polished, the king could see himself whilst he walked alongside it. Made of a kind of porcelain, the mirror wall now contains verses scribbled by visitors to the rock. well preserved it has verses dating from the 8th century. People of all types wrote on the mirror wall, they took to varying subjects like love, irony, experiences of all sorts. it has now been banned to write on the mirror wall.

The Mirror Wall & Spiral Stairs leading to the Frescoes

John Still in 1907 had observed that; "The whole face of the hill appears to have been a gigantic picture gallery... the largest picture in the world perhaps".
The paintings would have covered most of the western face of the rock, covering an area 140 meters long and 40 meters high. There are references in the graffiti to 500 ladies in these paintings. However, many more are lost forever, having been wiped out when the Palace once more became a Monastery so that they would not disturb meditation.
Classified as in the Anuradhapura period but the painting style technique used to paint is considered unique. The line and application style of the paintings differ from the Anuradhapura paintings. The lines are painted in a form which enhances the sense of volumeness of figures. The paint has been applied in sweeping action strokes using more pressure on one side giving the effect of a deeper colour tone towards the edge. Other paintings of the Anuradhapura period contains similar approaches to painting but they do not have the sketchy nature of the sigiriya lines as the painting of the Anuradhapura period has a distinct line which was the artists boundary which does not resemble that of the Sigiriya style.

Reference :From Wikipedia, the free encyclopedia